Kim Kardashian posted a series of cleavage-baring selfies on social media in the days following the release of a bombshell documentary about her ex-husband Kanye West.
The reality TV star, 44, took to Instagram on Saturday to share photos of herself modeling a sheer, snakeskin-patterned outfit from her clothing brand Skims.
She opted out of a caption and let the set of nearly identical portraits speak for themselves.
She was in full glam and a hairstylist appeared to be fixing her hair in one snap of her looking to the side at someone’s hand.
Her social media update comes just days after a ‘frustrating and grimly compelling’ documentary was released about her ex-husband, following events in his life from 2018 to 2024.
The documentary film titled In Whose Name? features the then-couple and even Kardashian’s mother Kris Jenner at one point.

Kim Kardashian posted a series of cleavage-baring selfies on social media in the days following the release of a bombshell documentary about her ex-husband Kanye West
Footage from the movie by director Nico Ballesteros showed the couple’s relationship deteriorating while he was going through his career highs and lows.
In multiple scenes, West had full-blown meltdowns when defending his decision to stop taking medication amid his mental health battle.
Over the weekend, Kardashian also posed in nothing but Cartier diamonds for her latest magazine cover for Vogue France just after the verdict in her infamous Paris robbery trial earlier this year.
She shared photos from the glamorous and luxurious photoshoot to social media but has so far made no mention of the documentary about her ex-husband.
She was previously married to the controversial rapper for six years before they finalized their divorce in 2022.
She and her ex share four children: North, 12, Saint, nine, Chicago, seven, and six-year-old Psalm.
In the film, viewers watched a number of events that hit the headlines over that time, including his divorce with Kardashian, living with bipolar and and his various controversial comments, including his antisemitic views, which have hit numerous headlines.
A number of writers, who watched the documentary ahead of its release, shared what they think about it all.

The reality TV star, 44, took to Instagram on Saturday to share photos of herself modeling a sheer, snakeskin-patterned outfit from her clothing brand Skims

She opted out of a caption and let the set of nearly identical portraits speak for themselves


She was in full glam and a hairstylist appeared to be fixing her hair in one snap of her looking to the side at someone’s hand. Her social media update comes just days after a ‘frustrating and grimly compelling’ documentary was released about her ex-husband, following events in his life from 2018 to 2024
Suffice to say the reception has been mixed, with some gripped by scenes of the star’s decline, which others found to be self-indulgent.
The Rolling Stone’s Jeff Ihaza wrote: ‘We see intimate moments in the home of the Kardashians; he explodes on Kris Jenner, as his then-in-laws’ family pleads with him to get back on his meds.
‘In these unvarnished moments, we’re given a look into the level of volatility that surrounds Ye, though it never rises to the level of revealing anything revelatory.
‘Watching any of the public output from Ye over the past six years would lead you precisely to the conclusion that this is what things must look like behind the scenes.
‘These moments do, however, humanize some of Ye’s struggles. His own sense of being trapped is nearly palpable in his facial expression.

She was previously married to the controversial rapper for six years before they finalized their divorce in 2022; pictured March 2020 in Paris

She and her ex share four children: North, now 12, Saint, nine, Chicago, seven, and six-year-old Psalm; pictured June 2018 in New York City

In the film, viewers watched a number of events that hit the headlines over that time, including his divorce with Kardashian, living with bipolar and and his various controversial comments, including his antisemitic views, which have hit numerous headlines
‘A pained, searching gaze that feels like it’s aimed everywhere at once. There is, of course, a genius behind all of this madness.’
The writer also addressed the teen documentarian’s work on the project as Ballesteros broke his silence on the real reason he filmed the rapper’s explosive downfall.
‘To Ballesteros’ credit, we’re not here to lionize an artist burdened by their own brilliance. As the film progresses, it’s easy to get lost in its rawness, like combing through the camera roll on someone’s phone.
‘It functions as a remarkable view into the banality of celebrity life. More often than not, Ye is alone in a car, waiting to be ushered into a brief meeting with some other famous person, where they muse about nothing for a moment and go on their way, shuttled once again in a car.’
This article was originally published by a www.dailymail.co.uk . Read the Original article here. .